Win Metawin and Janella Salvador make for a compelling duo in this conventional romantic drama on unexpected connections.

Related: The New Movies And Shows Coming Your Way This April 2024

Slight spoilers for Under Parallel Skies ahead. 

Is it possible to love someone who is the exact opposite of you? That’s the question posed by Under Parallel Skies, the first movie from local production company 28 Squared Studios. Directed by Sigrid Bernardo and starring Janella Salvador and Win Metawin, this cross-country production dives into finding connections in things that seem so different yet are running in parallel with one another. It tells the story of a Thai bachelor named Parin (Metawin) who travels to Hong Kong in search of his missing mother. He encounters a Filipino hotelier named Iris (Salvador), who helps him navigate love, heartbreak, and healing in the foreign city amid their differences in culture and identity. 

But beyond the headline-making team-up the movie has given us, is Under Parallel Skies flying into clear skies? Much like the story it’s trying to tell, the movie gets to its answer but does so without reinventing the wheel in any meaningful way. Before you head out to the cinema to see if the movie is worth your money, we break down what we liked (and didn’t) about Under Parallel Skies.  

THE SCREENPLAY IS SCREENPLAYING

Director and writer Sigrid Bernardo did her thing when she wrote the screenplay. She used her personal experiences to fuel Under Parallel Skies with dialogue that hits on a deeper level. Some scenes, like the sunrise and sunset scene, have dialogue that’s truly quotable and memorable. Beyond just dealing with the butterflies of being in love, there are moments where the script delves into what it really means to be happy.  

THE MOVIE SHOWS A DIFFERENT SIDE OF HONG KONG

While Hong Kong often conjures ideas of a bustling cosmopolitan with neon lights, Under Parallel Skies smartly moves away from the more fast-paced sections of the city. A majority of the movie is set in quieter parts of town, such as the island of Peng Chau. It’s in these moments where we get the more intimate scenes as the setting gives Iris and Parin time to build a more meaningful connection. In general, the movie does a good job of incorporating Filipino, Thai, and Cantonese culture into the story without it being too in your face. The multiculturalism on display here feels fit for the plot and not something that was shoehorned in at the last minute.   

THE DIRECTION GIVES THE MOVIE A MORE INTIMATE FEEL

An aspect of the film that stands out for the right reasons is its use of tight shots and up-close framing. It gives the movie a more personal tone as the audience is brought ever-so closer to Parin and Iris’ growing relationship. Instead of sweeping shots of Hong Kong, we’re treated to the two in more intimate and tight spaces. This is Iris and Parin’s story, and director Sigrid Bernardo ensures it. 

WIN AND JANELLA ARE A GOOD COMBO

Any doubt that Win Metawin and Janella Salvador would drop the ball gets thrown out within Under Parallel Skies’ first 10 minutes. They deliver both as a duo and solo. Janella arguably gives the better performance of the two with how she includes nuances and little quirks to Iris, like the inclusion of Filipino phrases. Still, Win has some room to play, especially in the movie’s latter half. 

THE PLOT IS PREDICTABLE

Under Parallel Skies aims to tell a story about finding connections in the most unexpected places. But it does so in expected ways that dips at times. In particular, Parin comes to Hong Kong to look for his mother. It’s an interesting plot line, especially when they get to the fishing village, and makes for one of the most poignant scenes in the entire movie. But once that is resolved, the movie moves on to Parin and Iris’ love story. It feels like a wasted opportunity to go beyond the bad-boy-meets-good-girl trope. And it isn’t helped by an ending that is telegraphed miles away. 

SO-SO CHARACTERIZATIONS 

Stop us if you’ve heard this before: a spoiled rich boy who is broken on the inside meets a working-class and hardworking girl who teaches him to be a better man. Sadly, that cliché finds its way into Under Parallel Skies. While there’s nothing inherently wrong with that, it’s also a narrative arch we’ve seen time and time again. As the movie goes on, it becomes clear that Parin’s bad-boy behavior is made better mainly by his friendship and eventual relationship with Iris and less on his own initiative to do so. The problem is magnified by Parin’s decisions in the movie’s final act. It’s about time we move away from movies about men needing women to help them be better.  

You can tell Under Parallel Skies tries to tell a special and personal story. There’s something to take from Janella and Win’s serviceable performances and message on unexpected love. But it also leans a little too close to been-there-done-that rom-com territory, which makes for a just ok movie that could have done more. 

Photos courtesy of 28 Squared Studios

Continue Reading: 7 Behind-The-Scenes Facts About Under Parallel Skies That Got Us Even More Hyped

A fully-furnished private villa, your own pool, and just steps away from the beach. What’s not to love?

Related: This Summer, Shop These Local Jewelry Brands That Won’t Tarnish At The Beach

With the summer season in full swing, many have been planning that much-deserved tropical vacation. But while the usual suspects tourists eye this time of year like Boracay, Palawan, and Siargao get all the attention, let’s not sleep on nearby destinations closer to home that still give the sun and surf fantasy. One such location is Lian, Batangas, and, in particular, the private villas of Araya Beach Casas. If a summer stay that’s away from the hustle and bustle of the city and close to the scenic sounds of the beach is what you’re after, Araya has got you covered. 

BEACHFRONT BLISS

Araya Beach Casas, which served as the host for our Hot Tropic Summer Party, is a beachfront property in San Diego, Lian, Batangas that’s only a 3-hour drive away from the Metro. The gated property features a 12-car parking space, making transportation less hassle for groups looking to have fun and families ready to unwind. Among the collection of resorts in the area, Araya stands out with its unique mix of brutalist architecture and seaside nature. 

Nestled in a secluded location along the picturesque coastline, the resort offers guests a vacation to indulge in the calm of the beach as you rejuvenate and recharge the mind and body. The moment you enter the property, Araya greets you with the view of the ocean and tropical ambiance that is easy on the eyes (and not to mention perfect for the IG feed). 

YOUR OWN CASAS 

The stars of the show at Araya are the four serviced private 2-storey casas that are divided into two Garden Casas and two Beach Casas. The latter is a real treat as it’s located right in front of the beach, making for the best view to wake up to from your bedroom. But regardless of which casas you’ll choose, you’ll find each is a spacious fit for a comfortable summer adventure. Each casa can accommodate six adults and up to two children each, with three bedrooms that have their own balcony on the second floor and a bathroom on each floor. 

INSTAGRAM/ARAYABEACHCASAS

INSTAGRAM/ARAYABEACHCASAS

The Master bedroom features a King-sized bed, a side table, a flat-screen TV, and an ensuite bathroom that comes with a shower, sink, toilets with bidet, basic handwash, bath towels, and pool towels. The two other bedrooms, meanwhile, have a Queen-sized bed that shares one full bathroom. In the living area, unwind with a lounge sofa and dine on a 6-seater dining table with an adjacent 2-seater kitchen island nook. Other amenities to accompany your stay include a fully-equipped kitchen that features a Nespresso machine, rice cooker, 2-burner induction cooktop, microwave, kettle, refrigerator, freezer, ice-maker, pots, pans, plates, utensils, and glassware. 

INSTAGRAM/ARAYABEACHCASAS

INSTAGRAM/ARAYABEACHCASAS

If nature is what you’re after, you can chill out on the 8-seater lounge area on the deck, get that tan on the lounge chairs, take a cooling dip in the private plunge pool while you enjoy the view, and soak in the vibes at your own private garden with a 4-seater table. 

SUMMER FUN  

Activities you can avail of at Araya include kayaking and frisbee, with the resort tapping third parties for other jaunts like jet-ski, ATV, and island hopping, meaning you get to enjoy while also supporting the local community. If all that fun is making the tummy grumble, Araya boasts an in-house menu of local and international cuisine and refreshing drinks. To top it all off, Araya’s staff will be ready to assist you with any of your needs. 

With spacious rooms, modern amenities, and stunning ocean views, Araya Beach Casas promises a tranquil getaway we all deserve. 

Araya Beach Casas is located at San Diego, Lian, Batangas. Rates for the Beach and Garden Casas vary depending on date of booking, with rates starting at 25,000 pesos per night. For more information on how you can book, check them out here.  

Continue Reading: 10 Island Girl Outfit Inspos For Your Next Beach Trip

Looking to stan P-pop visionaries? Start your deep-dive into ALAMAT’s music with these tracks.

Related: 8 Moments When ALAMAT Blessed Our FYPs With Their Talent

There’s no denying the steady, rapid rise of P-pop these days, as musical acts find their footing in a saturated landscape of music filled with talents from all corners of the globe. Each new P-pop group or artist brings something new to the stage, diversifying a genre that has been the subject of plenty of discourse. Regardless, place, history, and culture lends themselves to new, distinct artistic creations, and one Filipino boy band is living proof.

A multicultural, multilingual, and multiethnic musical act, ALAMAT puts the P in P-pop in their own unique way. From their elaborate performance outfits to their choreography, the use of different languages and instruments across the Philippines to their lyrical references to Philippine folklore, ALAMAT is deeply connected to the diverse culture in which they—as individuals and as a group—were formed. Composed of members Tomás, R-Ji, Taneo, Alas, Mo, and Jao, ALAMAT’s talents, concepts, and ability to seamlessly weave Philippine heritage with modern music has earned them plenty of praise, and plenty of fans. While their discography definitely has something for everyone, if you’re interested in becoming a Magiliw, perhaps start with these tracks below.

MAHARANI

A career-defining drop from their first EP Pasulong, Maharani holds the distinction of the group’s most-streamed song—arguably their most successful. Maharani is a benchmark of ALAMAT’s sound and concept, deliciously modern and distinctly Filipino. The track is a song of yearning and praise for a queen (“maharani”), and wholly a reference to Filipino folklore and culture, from its instrumental that incorporates indigenous instruments to the singkil featured in its music video. Catchy, romantic, and If you haven’t heard this song, you’re totally missing out.

DAGUNDONG

The lead track from ALAMAT’s most recent release (and their first album), Dagundong is a bass- and rap-heavy track with a roaring pre-chorus that captures a distinct aspect of the identity of the Filipino—the Filipino that all throughout history has risen against adversity, against all odds. A call-to-arms against oppression and injustice, with lyrical and visual references to Philippine struggle, Dagundong is a showcase of strength and heart, something ALAMAT has proven they’ve got plenty of.

DAY AND NIGHT

One thing about ALAMAT—their yearning is palpable in their music. A summery pop song sung in English, Filipino, and Bisaya, Day And Night from IsaPuso is equal parts fresh and fun as they sing about how a girl lives rent-free in their minds. Another fun fact: youngest member Jao choreographed Day and Night! Like with Alas, who is a producer, it’s great that the ALAMAT members are able to exercise their creativity in their work.

WALANG HANGGAN

The rare ballad in ALAMAT’s discography, Walang Hanggan shows off the vocal prowess of the members. It’s sorrowful and imploring, tackling forgiveness and the promise of forever. The music video, in true ALAMAT style, represents a myriad of different messages as it shows the members struggling through loss, heartbreak, and other personal or even social challenges.

DAYANG

If you love classic boy group music, Dayang will catch your fancy. A mellower but still upbeat track, Dayang is full of rhythm and romance as they declare their love for their dayang (lady, or “princess” in Tausug), similar to Maharani.

ILY ILY

A musical twist on a classic Hiligaynon folk lullaby Ili Ili tulog Anay, ALAMAT’s ILY ILY is almost haunting. Eclectic and immersive, the track is made even more special with the vocals of singer and The Voice Kids alum Lyca Gairanod. ILY ILY and its music video are also a tribute to parents, particularly those working as OFWs. More a lamentation than a lullaby, ILY ILY is an emotional track worthy to be added to your playlist.

KBYE

You can’t stan an artist without at least listening to where it all began. In 2021, ALAMAT debuted with kbye, a song the members co-wrote themselves! Fusing different Philippine languages, influences, visuals and sounds into their song and music video, this is where it all began for the group. Though a more resentful track, it provided a preview of the possibilities of ALAMAT, and they were endless.

KASMALA

A play on the word malakas, this 2021 ALAMAT song is the follow-up to their debut. kasmala is a modern, upbeat track about being enchanted by one’s beauty. However, the music video takes on a different approach, rich with symbolism and references to native Philippine history and the oppression we faced as a people.

GAYUMA

What did they put in this song? With rhythmic beats and a captivating hook, Gayuma is a true earworm. The song is a club/dance track written and produced by ALAMAT member Mo, and is a sensual, enchanting modern track that lives right up to its title.

Continue Reading: 7 Times BINI and ALAMAT Proved They Were Besties In P-pop

Oh, So You Want To Stan BINI? Here Are 8 Songs You Can Listen To First

The summer playlist gets even longer with new music from Taylor Swift, RIIZE, G22, and more.

Related: The Round-Up: Turn It Up With These New Song Picks Of The Week

It’s always been hot in the Philippines. But these days, it’s been hot thanks to the summer sun (and climate change). But do you know what’s hotter than this heat? These new music releases from the past week that you may want to add to your seasonal playlist for your next adventure, whether to the beach or just at home.  

I CAN DO IT WITH A BROKEN HEART – TAYLOR SWIFT

In her latest album, Taylor digs deep into dealing with grief in the public spotlight, such as in this bop about pretending to be happy while nursing a broken heart on the inside. 

IMPOSSIBLE – RIIZE

Okay house music! It sounds like a group of friends having the time of their lives during a spontaneous night out on the town. 

AURORA – TONEEJAY

It’s the production of this banger that does it for us. We feel like we’re floating in the air when listening to this.  

EARTH, WIND, FIRE – BOYNEXTDOOR

For their latest comeback, BOYNEXTDOOR explores hyperpop as they sing extremely fast and draw parallels between the unpredictable dynamics of relationships and the uncontrollable nature of the elements.

PSYCHIC – LAY

This vibrant fusion of high energy, garage, and bass rhythms, and R&B chordal movements, delves into the realm of predestined and magical connections, exploring themes of intense understanding and anticipation that border on the psychic.

ONE SIDED LOVE – G22

The easy, mellow track narrates the hurt as G22 yearns and watches the object of their affection show their love for another. Oof. 

IISA – JIKAMARIE AND JRLDM

The vibes on this R&B love song are vibing as it tickles the ears in all the right places. 

SUNDAY MORNING – JUSTIN

PSA: justin’s cover of Sunday Morning is now on streaming platforms, meaning more ways to be soothed by his vocals.  

GIRL’S NIGHT – LOOSSEMBLE

Yup yup yup. We know an OST for our next girls’ night when we hear it. And to all the Vivi biases, we won. 

BODY – DOM GUYOT

Dom gets vulnerable as he opens up about the pain of only being seen as just a body in a relationship and nothing more. 

Continue Reading: The Round-Up: Start Your April Playlist With These New Music Picks

From So Long, London, Who’s Afraid of Little Old Me?, and more, Taylor Swift let us have it in The Tortured Poets Department. 

Related: 13 Taylor Swift Song Bridges to Scream After a Heartbreak 

It only felt like it was just yesterday when Taylor Swift announced that she was dropping a new album this year during her acceptance speech at the 2024 GRAMMYs. Now, the moment finally came with the release of her latest LP, The Tortured Poets Department. And in 1 hour and 5 minutes through 16 songs (2 hours through 31 songs if you count the double album), Taylor took no prisoners in her sonic exploration of grief and pain. 

More than just another breakup album, it serves as Taylor’s reflection on the dissolution of a promising relationship through the lens of unworldly levels of fame. If a breakup is hard enough, having it while the whole world is watching you makes for an intense landmine, something Taylor touches upon in the album. 

If evermore and Midnights had a baby, it would probably sound like this album. The superstar takes mid-tempo synth-pop beats and gut-wrenching lyrics to deliver a body of work that needs to get several things off its chest. From the gag ending of Clara Bow to loml’s heart-crushing revelations, no emotion is off-limits here. And in the album are a few tracks that are more pointed than the tip of a freshly sharpened pencil, which makes for even better listening. Here are some of our fave songs on The Tortured Poets Department that we might just make our new personality trait.  

DOWN BAD

Taylor Swift just gets us. While some can easily move on from a breakup, others can’t and instead wallow in what could have been. That’s the case in this curse-laden track on not moving on from your ex. Sometimes, it’s ok to cry at the gym and still be down bad for the one that got away. It’s natural. Even Taylor Swift goes through it. 

SO LONG, LONDON

We just know Taylor was pissed off when she wrote this highlight from the album. The opening might sound like what you hear when the gates of heaven open, but the rest of the song is a woman’s journey of nearly losing herself. So Long, London boldly expresses the downfall of a relationship as Taylor uses London, once a happy place for her, as the setting for saying goodbye to a boy who was taking all the colors from her. Consider this our new anthem whenever we realize it’s time to leave. 

BUT DADDY I LOVE HIM

This one is for all the grown-up Speak Now girlies. In moments where it feels like everyone is telling you what to do, it’s just better to follow what your heart says. At the end of the day, it’s your life and you get to make the decisions, regardless of whether it leads to good or bad consequences. From joking about having his baby to confidently stating that it’s her alone that can ruin her name, Taylor gives us a track on refusing to let all the vipers get to you. 

WHO’S AFRAID OF LITTLE OLD ME?

Taylor might have drunk her mother tea before she made this song. She lyrically destroys anyone who has tried to underestimate or bring her downfall in one of the most emotionally raw tracks she’s ever done. Taylor talked her shit, and we’re here for it. But more than that, this standout from The Tortured Poets Department is a rallying cry for anyone who has been belittled and deemed unimportant. Yes, you should be afraid of little old me. 

I CAN DO IT WITH A BROKEN HEART

You know that meme of the bright pink house beside the all-black house by the beach? That’s exactly this bop. The song is almost fun in a demented kind of way with how Taylor touches upon doing her job as a global superstar while nursing a broken heart. The upbeat production juxtaposed with the somber lyrics make for a relatable listening experience about the struggle of living your life while your mental health is spiraling. At the end of the day, it’s just better to laugh, dance, and be delusional so you don’t have a breakdown.  

THE SMALLEST MAN WHO EVER LIVED

The amount of shade Taylor throws on this track is enough to cover the UK. But more than just a scorching putdown of someone who wronged her (especially in the latter half), the song is dedicated to all those people who clearly oversold themselves and were exposed for being the frauds that they are. 

Continue Reading: The Round-Up: Turn It Up With These New Song Picks Of The Week

A handful of concert etiquette suggestions, because it seems like we need it.

Related: Everything You Need To Be Prepared For A Concert At The New Clark City Stadium

It seems as if a lesson in concert etiquette is needed these days, as Adele would say. And a lot of people would agree. A recent concert I attended was far less enjoyable because of one person smack-dab in the middle of the standing section who raised their lightstick far above their head around 80% of the entire show. It’s not an isolated incident—phones held high up are actually very common across live concerts everywhere. And it got us thinking about how we can work together to make concert experiences better for each other.

From one concert-goer to another, there are definitely ways to participate in concerts that don’t inconvenience the people around you. Of course, there will be different rules across different artists, venues, shows, and the like, but these rules apply to most, if not all, of them. Let’s all try to consider them, practice them, and share them, so future concerts are a blast for everyone.

DO FOLLOW QUEUEING RULES, AND STRATEGIZE WITH CONSIDERATION

Who hasn’t been annoyed by queue-cutters and people shoving you aside to get a better spot in the pit? While it’s totally understandable that you want the best possible view or chance at a Y/N moment, make sure you’re not stepping on anybody’s toes (literally or figuratively) when you’re lining up to watch a concert or already in the standing sections. Further, don’t try to arrange for your own queueing systems for lines at ticketing or standing sections if you can’t ensure that everyone will be aware of it beforehand.

DO KEEP YOUR PHONE AT EYE LEVEL

hi to future VIP standing peeps… please if you’re taking a video or picture, make sure na eye level lang yung phone + lightstick or any banner. be atleast considerate to the people at your back lalo na ang laki ng pit ngayon. ayaw natin ng ganitong view diba? pic.twitter.com/8xDQX5WbBq

— che (@kkakkameori) October 26, 2022

Now, we don’t mind seeing phones and cameras at concerts—unless they’re obstructing the view in a wildly annoying way. A great tip that’s been making the rounds on K-pop fandoms is keeping phones, lightsticks, banners, and other items at eye-level. Of course, you can’t account for height or the arrangement of people in standing sections, but in general, not keeping your phones high above your head is ideal. Unfortunately, what can you do except do the same when people in front of you are holding theirs so high up? Totally understandable, but hopefully we get to spread the message around so we can all have unobstructed shots to look at in our photo libraries.

DO BE COURTEOUS OF OTHER AUDIENCE MEMBERS

While we do tend to make jokes about fans fighting in the pit, it’s really not great that almost all concerts these days have stories of people being rude to others. It’s not that hard to be gracious to other concert-goers. We’re all there to have a great time.

Don’t elbow or shove just to reach the front, and don’t go too wild that you end up smacking someone in the face or side (speaking from personal experience). Take care of each other when something happens, too. People sometimes get injured or pass out at concerts, so be aware of one another and help each other out.

AS MUCH AS POSSIBLE, DON’T INTERRUPT THE ARTIST

screaming excessively while idols are talking is soooo disrespectful what is wrong with u all https://t.co/nQgb6bPdRF

— noor (@eaudetaeil) January 30, 2023

We know you want your message to be heard loud and clear by your idol, but don’t be rude! When they’re taking the time mid-show to tell their beloved fans a message, why interrupt it by screaming their name—or worse, another member’s name—or yelling other things across the arena? Sometimes it’s okay, like when fans greet their artists a happy birthday or their spiel isn’t that serious, but it’s safer to just not do it or wait for a better opportunity (sometimes they encourage the screaming, anyway!). Interrupting an artist continuously and tactlessly when they really want to communicate with the crowd is totally not it.

DON’T THROW THINGS ON STAGE

Adele talks about concertgoers throwing things at artists:

“I fucking dare you. Dare you to throw something at me and I'll fucking kill you.” pic.twitter.com/vy680y8ekm

— Pop Crave (@PopCrave) July 4, 2023

While bra-throwing has been a common practice among bands and male artists in particular, the culture of throwing things at artists on stage or while they’re making their rounds in an arena has been getting way out of hand. More than one artist has experienced getting hurt by items fans throw on stage, and more than one has also called them out on it. You may just be expressing your appreciation for your fave artist, but doing it in an annoying and potentially harmful way is totally disrespectful.

DON’T BE THE PERSON IN EVERYONE ELSE’S CAMERA ROLL

@bohoglamdk #oliviarodrigotour #tagthem #whoarethey? #msg #oliviarodrigo #share ♬ original sound – BohoGlamDK

By that we mean, aside from not obstructing everyone else’s view or shot with your phone, arms, banners, lightsticks, or posters, don’t scream or yell the lyrics the whole time. Imagine your own initial amusement, and then disappointment, once you go home and browse your media only to find out you can’t even hear the artist because someone beside you was louder than the venue speakers.

Don’t be rude interacting with others, as well. You might even end up as a viral storytime on X. Generally, just be respectful to the people sharing that same space with you, whether it’s artist, staff, or audience member—and not just because you don’t want to be cancelled online. You’re there to have fun and enjoy the music, but so is everybody else.

Continue Reading: Your Concert Abroad Starter Pack, According To These Filipino Swifties

TL;DR: I took a great internship that just felt wrong, and it led me to where I am now.

Related: 6 Trademarks of Gen Z Interns, According to TikTok

One word I would use to describe an internship I took right before my senior year of college would, unfortunately, be miserable. Not because it had a toxic work environment or an impossible workload, but because the entire time I was there, my gut was saying that I didn’t belong there, doing what I had to.

Writing was always in the cards for me. There was never any doubt, until college did what it does best and made me question everything about myself, my career path, and my dreams and compare myself to others. I strayed away from that dream for a bit, still attached to it but not letting myself be boxed into that one ideal. And trying new things worked out! But instead of finding fulfillment in trying something new, I willingly set myself back on the writing path, armed with newfound knowledge and drive.

For more context, when I started my internship hunt for a required practicum course, no publication was replying or accepting writing interns, and time was running out on me following the course timeline. So I took an internship adjacent to what I wanted, under the reassurance that even if it wasn’t perfect, I’d still learn a thing or two. And I did. I learned that I could never live with myself if I spend most of my time at a job that I didn’t like doing—or at a job that just wasn’t enough.

MAKING THE MOST OF IT

Don’t get me wrong—it wasn’t a bad internship. In fact, it was actually a fantastic opportunity. I was thrust into a world that I wanted to be involved in and got the chance to learn from experts and exercise my own creativity. The workload wasn’t crazy heavy and our supervisors, understanding and kind, guided me all throughout the process. It was a good experience, but I found that I was still unhappy.

We were required in our practicum course to keep a weekly journal for the entirety of our time interning. An eyeroll of a requirement, but as I read through each stream-of-consciousness entry (which was mostly a back and forth of me saying it was a great learning experience but I wasn’t doing what I wanted to do), it clarified a few things.

My misery, again, wasn’t due to the workload or the environment. It was because I just felt in my gut that something was off. The work I was doing wasn’t fulfilling. I was supposed to be doing something else. I didn’t like what I was doing, and I can’t live my life doing something that doesn’t feel like it aligns with my purpose.

GUT FEELINGS

Despite my desire for a writing internship, for almost my entire stay at college, there was a continuous, tempestuous battle roaring within me. I talked about it in my essays, in my oral exams, in discussion boards and school organization interviews. Was the career path I was dead-set on pursuing since I was a kid actually right for me? Because it seems like everything was conspiring against me. My work wasn’t getting out into the world, my confidence took a hit when my application was turned down by a university publication, and I felt like my writing was trash.

So I put it off. I don’t think about my career or life after college, just picking and choosing classes, orgs, and projects that I think I’ll enjoy. I thought okay, if writing isn’t for me, what else is there? And thankfully I did find joy in some of the work I did, from managing social media content to executing promotional campaigns. That’s where I got the confidence to take an internship—one that didn’t require me to write what I wanted. Because how well did writing work out, anyway?

But I found that the work I was required to do full-time in a corporate setting was a different experience from just having fun with it for college orgs. In orgs, I didn’t have to do it all day, every day, for weeks. There were warning bells in my head and a craving for more that I couldn’t satiate.

REDIRECTION

Once I officially started senior year, I once again put all career plans on the back burner, instead choosing to make the most of my last year in university and focus on my classes, my friends, and my thesis. But things were far clearer in my head: I can’t leave college only to get a job that makes me dread waking up in the morning (more than usual).

So I pivoted, redirecting myself towards a path I had strayed away from, surer now that that was what I wanted. Some time before graduation, I doubled down on my research on potential companies and publications, positions, openings, and the like. If there was just a hint of that doesn’t feel right for me, whether it’s because I’d be onsite too frequently or because the job description required too much of me, I’d scrap it. I’m never satisfied, anyway, so why settle?

MOVING FORWARD

Thankfully, though, I found something that just felt right, and I said screw it—it’s worth a shot. It’s worth trying out. One of my professors had told us that some things you just have to see and live through to figure out if it’s what will fulfill you. So there I was, armed with a determination to pursue what I always wanted to, my ambition now stronger than my self-doubt, choosing to see where this goes.

And I felt good about making the decision. I still feel good about it, though I know there will always be doubt. There will always be things that change, and there will always be non-negotiables that could make someone leave a dream job. One day, maybe my gut will tell me that this is no longer where I should be.

But for now, this is where I belong. Had I not tried something new, even if it wasn’t ideal, perhaps I wouldn’t have gotten the push I needed to get here. I can only hope to carry that openness with me always.

Continue Reading: Which Is Better For You: School Organizations or Internships?

We are sure to manifest the love of our life through this new HONNE single and their upcoming album.

Related: HONNE On Their Return To The Philipines And Working With RM

The best thing about making music is how life and love beautifully bleed through it, etching a lifetime picture of a story that once was, turning them into catchy melodies. This is Electronic-pop duo HONNE’s special way of freezing precious moments in their life: retelling tales into songs. 

Whatever state of love you may find yourself in, HONNE has probably created a song about it already. We’ve been growing along with them, from infatuation jitters, to realizing the magic of marriage. Finally, hit songs Day 1 and Location Unknown will finally get a big sister through their new single Imaginary, a sweet look back on moments that were once living in a lover’s dreams, into real life. 

INSTAGRAM/HELLOHONNE

Drawing inspiration from real life occurrences, the duo behind HONNE, Andy and James, sat down with NYLON Manila to recall sweet stories of love and incorporating them within their music, melting those into their own unique sound. Read below and engulf into the experience of crafting the music with HONNE.

What was it like getting to make the track, putting such a special story into a three minute song? How is that process like?

Andy: It’s very fulfilling, like, it’s really nice to write such personal stories in our music and we always try to do that where we possibly can. And actually this new track and new album is one of the most personal albums that we’ve ever released. It’s really, really nice for us to have that connection to the music and it’s also extremely difficult, like you said, to tell such a long story in such a short amount of time so a lot has been cut out. We just try to be as concise to the point as possible. Imaginary is a very cute, heartwarming song and it tells the story of how I met my wife, and how I imagined our lives together, and how it came true in the end. 

James: So it was almost 20 years ago at college that they met. A lot of years to cram into three minutes. 

The song is about how [Andy met his wife]. With that being said, how would you know if someone you meet is the one for you? Is there a connection, a spark? Where does that feeling come from?

Andy: You’re always going to get some sort of spark if you meet someone and you get on with them, and you have similar things going on. You just vibe with them, then you will get that spark. But I think how it will last just depends on you, the two people in the relationship and how much effort they put in. Because I’m not going to make it like a fairy tale. Being in a relationship can be hard and there are ups and there are downs. With a lot of effort and a lot of hard work, it’s certainly possible to have a long and happy [relationship]. James is in a long relationship as well! 

James: Yeah. I got married twice to the same lady last year. Once in England, once in Cambodia, ‘cause she’s Cambodian. I completely agree with Andy. The spark is there at the start, but I think you could get a spark with a lot of different people—but finding someone that you share, takes longer to see if you share real big life values and have the same ambitions and want to grow in the same direction over a long period of time. Without putting in the time to find out whether you share those kinds of common goals and common ways of living your life, I think it’s hard to know. 

Andy: And equally, there’s like elements of compromise involved. You may not completely align, but I think in order for relationships to work, one of you or both of you, at different times have to give way and just budge slightly so you can carry on. If you are butting heads all the time, then it’s just not gonna work. Anyway, that’s our relationship advice for all you listeners!

James: I feel like it’s more important than ever to talk about the reality of the work that goes into relationships as well. ‘Cause we see a lot of like TikTok and Instagram and stuff of only special moments or only kind of the best bits, but people obviously aren’t sharing the hard stuff as well. So I think it’s good to talk about that period.

INSTAGRAM/HELLOHONNE

A lot has happened quite recently in your lives, both professionally and personally. How would you describe this current chapter of your life so far? 

Andy: The last couple of years has been, for me personally, it’s been amazing. I’ve had two children since we last released an album. So, there’s been a lot going on. I feel like I’ve aged 10 years. It’s been brilliant, but equally, there’s been probably some of the hardest moments that I’ve had to deal with. I’m an adult now, I have adult responsibilities. And the album will tell you about all those kinds of moments that I’ve had. So there’s been ups and downs, but it’s been overall brilliant and I’m very happy generally. 

James: I also love Andy’s children, so I’ve become a surrogate father as well. 

Collaboration is quite an important part in your creative process. Are there any team collaborations you are eyeing or maybe for this upcoming album and is there any you might want to expect [someday]?

James: We did so many collaborations on our last album that we were like, we just want to go back to the first album, just the two of us. Collaborating is really fun, but collaborating with other artists can become really tricky with [aligning] schedules. We were kind of at the whim of other people’s schedules for the last album of how we wanted to release stuff. We’ve just enjoyed knuckling down the two of us for the most part and just writing. So everything on this album was written, produced and mixed by us from start to finish. There’s one feature…

Andy: I wouldn’t say who, but one surprise feature. It just happened at the last minute, a new artist.

James: You’re going to be seeing a lot more of [them] with us. 

You kind of brought back the basics of just focusing on you two with this new album. Where did you look for inspiration for your new album? 

Andy: It’s all drawn from all our personal lives. Sorry to our wives and all the people that live around us, but you are now the subject of our new album and our new music! 

James: It’s what helps us connect ourselves to the music. So when we are performing it live, it’s real, and we’re singing about real things, we can feel it. That’s how we like to do it. We don’t want to stand up on a set stage and sing songs that don’t really mean anything. Although, you know, that’s perfectly fine and that’s allowed, but we just prefer to keep it real and as honest as possible. 

INSTAGRAM/HELLOHONNE

Your Filipino fans are excited for your new music, new album, and for sure they want to see you live again. Is there a chance we’ll see you soon in the Philippines? 

James: Definitely, always! Our gigs in the Philippines are absolutely some of our favorite in the world. The last one we did was the last Araneta Coliseum and I think it’s the best thing—one of the best moments of our lives. Honestly, I’m not saying that to make our Filipino fans feel happy. It genuinely was. We came off stage and we were very happy. We were both like, that’s the best we’ve ever felt in our career.

Andy: I’m worried because I’m not sure if it will get any better. It was really, really great. We loved it. 

James: We’re always plotting when to come back. We’re making plans at the moment and I’m not sure it will be this year, but we’re hoping that it won’t be too long. 

Check out their new single Imaginary and manifest love with HONNE.

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“My musical inspiration always comes from my wife, always.”

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So, you’ve probably had MAX’s catchy tune STUPID IN LOVE on repeat. Thanks to TikTok, his collaboration with Huh Yunjin has been everywhere lately. But did you know there’s more to this pop sensation than just viral status? ICYMI, behind the visuals and captivating lyrics lies a deep well of inspiration—his wonderful wife.

In a chat with NYLON Manila while he was in the country for a series of mall shows and appearances, we dive deep into MAX’s creative process, his approach to songwriting, and what lies ahead for this singer-songwriter. If you’re ready, scroll through the stories behind the artist who’s taken the world by storm.

What drives your passion for music, and how did you first get started in the industry?

“I grew up in New York, and I did a lot of busking in the streets and stuff like that—I remember playing the ukulele, and that’s what got me started. To say the least, I kept on playing and performing, and I still feel like that kid.”

As a singer-songwriter, what do you believe sets you apart as an artist in the music industry?

“I guess I’m trying to remain humble and live in the moment as much as possible, and I hope that it comes through in my music.”

You’ve been in the industry for decades. What was the moment you realized that you ‘made it‘ as an artist?

“I mentioned that I got to perform at Madison Square Garden, and that’s the place for me in New York. It was for my team, the Knicks. I did the halftime show and the anthem. After that, they put me courtside, which was a dream for me from the beginning. Then, one of the artists came up to me and said, ‘That was a good anthem.’ Yeah, all of that together felt like my ‘made it’ moment.”

Can you walk us through your typical creative process when writing and composing music?

“It comes in so many different ways, but the most common one for me is having a voice note with inspirational ideas. I’ll think of a title, and then I’ll start singing that note, which I call ‘nuggets.’ These nuggets of ideas, I bring to the studio to see which ones we can expand upon. For example, with Blueberry Eyes, I had this title in mind because my wife has beautiful blue eyes, and I built the song from there.”

Can you share some insights into your musical influences and how they have shaped your sound?

“My musical influences have been Stevie Wonder, Billy Joel, and many other incredible songwriters—individuals who were vulnerable. Being in this industry, you’ll find people who love you and some who don’t, so I simply admire those who stay true to themselves.”

How do you balance staying true to your artistic vision while also appealing to a larger audience?

“Like those who inspire me, I try to be myself. Some people will hate it, but it is what it is. There’s nothing you can do about it anyway. I feel like that’s the only balance for me. When people do end up loving my music, they’ll realize that what they see is what they get.”

STUPID IN LOVE has gained immense popularity globally. What do you think sets this track apart from your previous work?

“It’s always been so much fun; I’ve always loved this song. Not everybody I worked with necessarily heard this song, but there’s something so unapologetic about it. The core of this story takes place during the time when I got engaged in four months and married in nine. That’s it—we’re stupid in love, and it’s crazy.”

You’ve previously collaborated with Suga for Blueberry Eyes, and now with Huh Yunjin for STUPID IN LOVE. How have your collaborations with these artists influenced your perspective on music collaboration in general?

“I’ve always loved collaborating. I’ve learned that being authentic and building that friendship is crucial because if it’s not there, the audience will always be able to tell. You can’t just throw people into a song without any connection. With that said, it doesn’t matter how big the artist is; you just have to make sure that you connect as humans and hope that the music connects as well.”

Can you share any personal anecdotes or stories behind some of your favorite songs?

“The new song with Huh Yunjin for STUPID IN LOVE has been so much fun. She just met my wife for the first time the other night, and they instantly hit it off. It was really cool for me because it was nice to see them wanting to become best friends.

If you didn’t know, I wrote this song for my wife, and it’s been incredible working with Yunjin to make this possible. Seeing them bond now? It’s beautiful.”

Apart from these collaborations, what do you enjoy most about being a musician, and what are some challenges you’ve faced in your career?

“I want my music to never get old for people. Some have even used it in their own weddings, and the fact that these songs mean something to them, even if they don’t realize it’s my song sometimes, is amazing to me.

On the other hand, despite the challenges where some people won’t like you, that shouldn’t stop me from making music for those who will love it—it’s something I continue to work on as an artist.”

Looking ahead, what artistic goals do you hope to achieve in the future?

“I’m really loving co-writing and co-producing with other artists, and of course, continuing to write my own songs as much as I can.”

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For its second edition, RAMPA Manila isn’t just celebrating Filipino fashion—it’s on a mission to revive Divisoria’s status as the textile capital of our country.

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Manila City is buzzing with anticipation as the stage is set for the highly awaited second edition of RAMPA MANILA! Following the smashing success of last year’s debut show, the city is gearing up for another milestone in Filipino fashion. June 19, 2024 will see the prestigious Bulwagang Antonio Villegas in Manila City Hall transforms into a spectacular runway for RAMPA MANILA 2.

With the theme of Textile, Texture, and Technique, this year’s edition honors the remarkable artistry and innovation woven into Filipino fashion. With that, a who’s who of local fashion staples are set to showcase a dazzling display of masterpieces. These designers, sharing their talent and creativity, look to captivate the audience with their breathtaking creations.

Get ready to scroll through and get acquainted with the designers behind the spectacular pieces you’ve admired and adored before. It’s a fashion fiesta you won’t want to miss.

Anthony Ramirez

From self-taught prodigy to powerhouse, Anthony Ramirez’s work is a testament to creativity, dedication, and the talent behind Filipino fashion. For 15 years, he’s been mastering his craft, soaking up every detail in the workshop of seasoned designers, and the results? Nothing short of spectacular.

Whether it’s his signature form-fitting masterpieces or ornate creations that steal the spotlight, Ramirez knows how to make heads turn. And now, as he sets his sights on putting Divisoria on the fashion map, we can’t help but wonder: What concoctions will this designer whip up next, blending techniques, textiles, and textures to perfection?

Jhobes Estrella

No runway spectacle at Manila City Hall is truly complete without the essential elements of traditional Filipino fashion, embodied in the signature style of Jhobes Estrella. With his trademark use of butterfly sleeves, intricate patterns, and expertly woven fabrics, Estrella effortlessly fuses the past with the present, affirming that heritage attire isn’t mere history—it’s haute couture for every Filipina’s closet!

Marc Rancy

From humble beginnings in a suburban Manila car garage back in 2008, Marc Rancy’s eponymous label has evolved into a beacon of exquisite dresses tailored for sophisticated and sensual women. Fuelled by nothing but passion, talent, and unwavering dedication, Rancy steadily amassed a loyal following among Manila’s elite and celebrities alike.

Armed with a design degree from Raffles Design Institute Manila, a prestigious subsidiary of Singapore’s Raffles Network, Rancy has recently completed a dual-master’s program in Fashion Management at Paris’ IESEG School of Management and Istituto Marangoni, further solidifying his status as a dynamic force in the fashion scene.

Neric Beltran

If you caught that iconic SB19 performance at BYS Fashion Week 2023, chances are the striking white and blue bridal to night looks sported by the Kings of P-Pop left a lasting impression. Behind these killer creations? None other than the talented Filipino fashion designer, Neric Beltran.

With that in mind, it’s no secret that every Neric Beltran piece is made out of meticulous detail, showcasing a beautiful blend of textures and textiles—a signature style we eagerly anticipate seeing at RAMPA Manila 2.

Val Taguba

When it comes to bridal couture, Val Taguba challenges tradition with his innovative designs that prove brides don’t have to wear white. Famous for infusing drama into every piece, this Filipino fashion designer is celebrated for his breathtaking bridal looks featuring unconventional takes and unique color combinations.

What makes Val Taguba stand out? His designs aren’t just for wedding vows—they strut down red carpets, own runways, and rule debutante balls, turning heads and stealing hearts wherever they go!

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