3 Local Sustainable Fashion Brands Founded by Young Women

Support local, support sustainable.

Be stylish and environmentally-conscious at the same time with these 3 female-led fashion brands.

Related: In Its Sustainable Efforts, Is Fashion Really Changing the Alarmingly Wasteful Ways of the Planet?

At the intersection of sustainability, creativity, and empowering entrepreneurship lies 3 local fashion brands that champion self-expression as well as the environment. Spearheaded by young Gen Z women, these brands promote ethical practices in slow fashion as they create beautiful clothing pieces.


The state of fashion today is marked by overproduction, overconsumption, and waste production. As consumers urged to simply point, click, and buy, it’s worth considering that we’d be much better off making conscious decisions about the things we use, wear, and consume.

Conscious consumption entails an active awareness of how your consumption affects things beyond yourself, such as the environment and ethical labor. While consumers do bear a responsibility to minimize the negative impact they have on the environment, it’s also important for brands and designers to do their part as well. This is where Sanina, Nin and Yang, and Fantaisie Gaze come in.


Sanina Creative Hub upcycles preloved clothing, deadstock, and last-cut fabric and turns them into not just clothing pieces, but works of art. Sanina features colors and geometry at the forefront of their distinct style.

Sarah, founder of Sanina, started out selling curated pieces. However, she found out there wasn’t much use for items like winter clothing and long-sleeved tops in the country. So instead, after learning new sewing methods and techniques, Sarah turned to her hobby of reworking clothes and sold her pieces to others.

What was left with the young designer were scraps of fabric that she didn’t want to throw away just yet. As such, she started on a new journey to making patchwork art pieces that the Sanina brand is now known for. They sell intricately-patterned tops in a variety of colors and styles.

As the brand grew, so did Sarah’s confidence.

“Making clothes in these specific silhouettes, colors, patterns, [and] sizes that are outside my comfort zone, and seeing my clients wear them, made me feel more confident about myself,” she shares. Making others feel good about themselves in her pieces is just as integral to Sarah as the effort of sustainability.

“If we can just contribute even just .00001% of textiles [and] old clothes not going to landfills, but instead to closets and drawers, we gladly will continue to do so.”


Want to live out your fantasy of dressing like a fairy princess? Fantaisie Gaze can adorn you in romantic, flowy, bespoke garments that will make you want to wear them all the time. Their tops and dresses are perfect for frolicking in a forest or having a picnic with a loved one.

Frankie Lapiz, at the young age of 20, appreciates the importance of being conscious and deliberate with purchases. She initially made and sold trendy reworked clothing on Fantaisie Gaze, formerly named Gaza, but has since taken a leap of faith and started accepting bespoke orders and releasing her own designs.

She mentions that it’s so easy for people to get caught up in trends. Made-to-order and bespoke clothing promotes sustainable slow fashion in that “customers get to own pieces they truly like and could wear repeatedly, since it’s their personal style.” Frankie also wishes the inclusiveness and diversity that bespoke clothing offers to all body types could be more prevalent in the fashion industry.

“I hope we all start to customize our clothes more and be intentional with the clothing pieces we purchase.”


Retaso is central to the Nin and Yang brand. Sister duo Nina and Thea (nicknamed “Yangi”) Morales maximize the use of fabric scraps to create fun, original clothing pieces that they say “breathe new life into discarded fabric.”

Nina and Thea grew up crafty. They often transformed regular, everyday objects into handmade gifts and treasures. The sisters also grew up with relatives who work in the clothes manufacturing industry. As such, they were made aware early on of the existence of unused scrap fabric leftover from production.

Nin and Yang offers bold pieces made from upcycled scrap fabric and deadstock that caters to the young fashion-lover of today. Their pieces are made to be versatile—multifunctional, adjustable, and reversible to maximize the wear and lifespan of each.

In line with their philosophy of sustainability, Nina and Thea encourage their customers to live sustainably by repeating outfits, learning how to mend/repair clothes, and the like. They always knew they wanted a brand that 1) allowed them to have creative freedom, and 2) did not pose harm to the environment as fast fashion has been proven to do. They also hope other brands take importance of not just how they source their materials, but also how they treat their workers—with fair wages and ethical working conditions.

“Let’s offer beautiful and unique designs that will show consumers that choosing circular fashion doesn’t mean they have to sacrifice style, and that they can rely on homegrown talent any day.”

Women and the youth have been at the forefront of the fights for climate action and justice for a long time. So, it’s no surprise that these young designers and creatives have taken it upon themselves to resist unsustainable practices to help the environment in their own little ways.

There’s much to be done to address the concerns regarding the social and climate justice aspect of fashion. However, patronizing slow fashion and small, local businesses that advocate for sustainable practices if you are able to is 100% a start.

Continue reading: These 6 Sustainable Filipino Brands are Turning Old Clothes and Retaso into Statement Pieces

In Its Sustainable Efforts, Is Fashion Really Changing The Alarmingly Wasteful Ways Of The Past?

More than just a trendy buzzword to hop on, sustainable fashion is taking a serious turn in consideration as Filipino menswear designers take on a no-waste challenge.

It is no longer just a matter of fact, but rather a gospel truth that fashion is one of the world’s largest contributor to pollution. With the timeline and need that the industry operates yearly, it comes to no shock that our consumption has gone up since the advent of the new millennium. If we were to run on the numbers along, it is enough to choke one up faster than the reality of Australian bushfires asphyxiating the ecosystem with its fumes. With a 60% increase in the purchasing of garments in 2014 from 2000, fashion has since accounted for at least 10% of the global carbon emissions, singularly known as a key greenhouse gas that has been speeding up climate change at a worrying exponential rate. Further more, this hawking and hoarding of fashion only means a racking up of dump every year, which roughly stands at 85% that goes to waste.

If that isn’t worrying, then in the process of stylish creation, the multi-billion dollar industry consumes water to a dried up aftermath, polluting its streams with micro-fibers, plastic, and chemicals, as well as it razing rainforests to little to no mercy. Taking a heavy toll on the environment, it has proven more and more difficult to keep up, despite the most valiant efforts in saving and sustaining.

While there has been more of a shift to be more eco-ethical, sustainable, and conscious, the threats to the environment are proving to be veritably irreversible at this point. Some fashion figures have taken stricter measures to save the world, so to speak, with rigors being rewritten and re-calibrated to dial down on the offshoot of waste. With brands such as H&M, Adidas, Guess, Herbal Essences, and Lush, among others pledging tangible efforts by working towards being plastic-free, incorporating a reuse and recycle mindset, and using more natural and less damaging to the Earth materials. This movement isn’t just exclusive to the fast fashion as designers such as Stella McCartney, Vivienne Westwood, and Rag & Bone are really moving mountains to strike a stronger sense of consciousness from within their ranks. Making no compromises, Stella McCartney in particular stresses that the word ‘eco’ shouldn’t be a term “that immediately conjures up images of oatmeal-colored fashion or garments that are oversized or lacking in any sort of luxury or beauty, detailing or desirability.” With a more mindful approach to creation, the business imperative should be more tangible and social, challenging and pushing boundaries to make things happen, crafting products that is fit for the world today and in the future. “From never using leather or fur and pioneering new alternative materials to utilizing cutting edge technologies, pushing towards circularity, protecting ancient and endangered forests and measuring our impact with ground-breaking tools,” a sustainable lifestyle in equilibrium is hopefully achieved.

Yes, bigger and bolder efforts must be undertaken, especially in the face of great and grave threat as of late, but it is understood that smaller, realistic steps in one’s every day is enough to stack up to results that will affect the shift in the order of nature. Whether it be as simple as cutting down on the spending and purchasing, or adapting a more serious effort of considering eco-friendly, all-natural, and ethically created fashion, something can and has to be done—and there is no other one else to look to than yourself.

Let’s face the aggressive truth: The world we live in has not only taken a new turn, but it has ratified a new reality for us to exist in. Heeding a responsibility to actively take part in the resuscitation of our planet, we challenged menswear designers to create an original encompassing their aesthetic and point-of-view, and most importantly, it being sustainable.


No stranger to sustainability, Russell Villafuerte has always held the lifestyle at the core of his design sensibilities. While some would look back to his finale collection in Project Runway, as he well as his debut collection for Philippine Fashion Week, his relationship with eco-consciousness traces back to his Interior Design degree, where the focus was really to design sustainably, ensuring the health of our planet.

An offshoot of his namesake brand, Strong Village is Russell Villafuerte’s more personal and sustainable approach to fashion. “It’s a brand where all the clothes I make are very personal,” he says, emphasizing his bid to do his fair share of helping the environment. For this look, he used only deadstock and used fabrics, piecing them together to become a realization of sustainablitiy, without losing that signature nonchalant, don’t-mess-with-me energy. “With this effort, I hope that awareness will eventually turn into practice. So, I hope sustainable fashion will stay for good and not just become a trend that will be forgotten a few seasons from now.”

White deconstructed trench jacket, deconstructed low-crotch onesie, and white deconstructed canvas shorts all by STRONG VILLAGE


“Sustainability in the fashion industry is rather challenging, particularly for young designers like me,” admits Mark Tamayo. “Usually, cost constraints and sourcing issues would limit our ability to use sustainable fabrics. Nevertheless, I try to use sustainable materials whenever possible by using locally made fabric dyed using organic dyes.” In this undertaking, he crafted a tailored piece that marries precision and whimsy rendered in katsa (muslin cloth) and Piña.

Beyond the actual garment, Mark Tamayo also believes in ethical practices for his pool of artisans and employees. “I believe that sustainability and ethical considerations in fashion must be observed as far as it is practical, including the fair labor treatment and payment of proper wages to our workers and employees.”

Muslin and Piña blazer, cream trousers, and pleated apron all by Mark Tamayo, and black sneakers by SKECHERS


“Fashion is one of the primary producers of waste in the world, as designers it is our duty to find ways to minimize wastage in our own little studios by reducing the excess we put out in the world,” says Santi Obcena, before detailing his work, aptly entitled, Tagpi (lit. patch). “It is in the little things, like laying out fabrics smarter or repurposing the pieces. It doesn’t have to be a big gesture. In the conscious efforts of not throwing out every fabric, or developing designs that cater to the scraps we have in the studio.” A jacket made entirely out of scrap fabrics from 8 previous projects, this is quite literally a sewn up narrative of different stories coming together as one impressive narrative.

Inspired primarily by wise words of How To Make An American Quilt, which elucidates: “Young lovers seek perfection. Old lovers learn the art of sewing shreds together. And of seeing beauty in a multiplicity of patches.” Therein lies a conversation of Santi Obcena that hop is sewn between the strips of fabric and threaded through the seams that encloses it.

Denim, printed twill, nylon, and woven metallic fabric-patched jacket by SANTI OBCENA


Skewing from the tried and tested path of menswear, Emir Yamamoto fashions a statement with pieces of sheer, bridal, and cocktail fabrics. This has always been the premise of how the designer works, coalescing two ends of a spectrum in a cohesive whole. Fusing an aesthetic that is confident in its ease and grace, there now exists an entirely new proposition for the future of fashion in a more sustainable and boundary-shattering trajectory.

Pleated sheer dress with bridal and cocktail fabric scraps by EMIR YAMAMOTO


Realizing a responsibility far beyond the reaches of making fashion, Jeffrey Rogador has long asserted his subscription to sustainability through upcycling. “Designers, brands, and retailers should take action on the global issue of apparel waste and consumption. With every small step and contribution, we can help solve the problem,” he says. Never one to let fashion go to waste, he patched 50 pairs of old and unused jeans from Girbaud Philippines to create new and relevant pieces. “We designers should take the responsibility to lessen global fashion waste. If we try to make fashion more mindful and organic, it will be very helpful,” he concludes.

Patched denim jacket, patched denim top, and patched denim jeans all by JEFFREY ROGADOR


Sustainability is not just limited to fashion and reducing waste for Neric Beltran. With the people who work for and with him in mind, he really sees to it that his production is well taken care of, exercising utmost safety and fair pay for all. Ensuring that this means of livelihood carries over to their personal welfare, in this point-of-view, no efforts and hard work are wasted. Whether it’s piecing together scraps of excess fabrics and broken zippers, it is all about a coming together of vision, mission, and a distinct execution that are a product of his and his team’s rigor and attention to detail.

Black patched shirt and black pullover with zipper-detailed sleeves both by NERIC BELTRAN


Creative Direction and Styling ANGELO RAMIREZ DE CARTAGENA



Shot on location at VC Trading, Farmer’s Plaza

Special thanks to BYRON VILLEGAS