Gen Z Speaks: Why It’s Important to Have Normalized Queer Representation in Filipino Media

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It’s time to take control of the narrative.

With help from Gen Z members of the LGBTQIA+ community, we talk about the importance of diverse, normalized queer narratives in Filipino media.

Related: Sing It Loud, Sing It Proud: These Queer Filipino Musicians Are Unapologetically Raising Their Voices for the LGBQIA+ Community

While the prevalence of queer identities on local screens grows, the fight for diverse, authentic representation in Filipino media is an ongoing struggle. It’s not enough that a queer person is in a show or a movie, but the stories we tell must capture the breadth of queer experience.

It is, of course, important to be able to portray the unique struggles faced by the LGBTQIA+ community, as they are a marginalized community still not afforded the same rights as cisgender heterosexual Filipinos. But as we see the same characteristics and (often upsetting) storylines over and over again, isn’t it also important to tell stories where queerness is not the problem for once?

We reached out to a few queer Gen Z individuals—Jay, Tristan, Rylle, Izzy, Dom, Clara, and Kimiko—to get their takes on why normalized representation matters in the local scene, because time and time again, this generation proves they know what they’re up against, and they know what they’re talking about.

DEPTH AND DIVERSITY

@anothergaymer did you figure out who i referenced? #gay #lgbt #lgbtq #lgbtqia #representation #pride #pridemonth ♬ original sound – J

Countless studies and perspectives have emerged detailing how much the portrayal of queerness on Filipino screens are one-dimensional, stereotypical and often harmful, as they perpetuate rigid ideals about how queerness “should” be like.

Young writer Jay recalls growing up in the 2000s and watching Filipino shows where queer characters were present, but relegated to roles like the main character’s friend or comic relief. “While these are not inherently untrue portrayals,” they share. “[They] diminish the vast and complex tapestry of the queer identity and our representation falls easily into stereotypes—stereotypes that subconsciously affect people’s perception on the LGBTQ+ community, and these stereotypes often lead to harmful rhetoric.”

Given that there still exists oppression and discrimination against the LGBTQIA+ community, authentic, sensitive representation allows queer individuals to envision possibilities and be open to the breaking of boundaries.

Student Tristan shares, “For most of my life, I didn’t get the support system and healthy environment that some queers enjoy.

“The only way that I could get a vague sense of the community that was waiting for me on the other side was by consuming media portraying people like me as real individuals with valid experiences.”

The queer experience is not monolithic—and the stories we tell shouldn’t be, either.

STORIES ON SCREEN

Representing queerness in local media, recent graduate Rylle says, draws attention to the struggles of the queer community. The kicker is—queer people struggle with more than just their genders and sexualities, and presenting those problems alongside the struggle of being queer can paint a more complete, more resonant picture of queerness to the general public. Stories on screen are valued both by the community whose stories are told as well as the people outside those circles.

“Queer representation reaches out to the young people who need to hear and see that it’s more than okay to take up space. It helps us plant our existence in society when we are able to see and relate to stories that are reflective of our own,” Dom remarks.

“Let the gays have their cheesy romcoms!” is a frequent sentiment echoed on social media. Having marginalized identities take up space in predominantly heterosexual contexts brings people on equal ground. So much of queer media focuses on homophobia, coming out narratives, and queer trauma. It’s time those stories stop being the only option and we explore more ways of representing queerness and queer love in media.

NORMALIZATION AS RESISTANCE

Normalizing queer existence, relationships, and love in a story means not treating queerness as the source of conflict or a problem to be solved. In a way, it resists predominant narratives that queerness is inherently tied to suffering and fear, othering and discrimination.

Recent graduate Izzy explains that “normalized queer representation helps overcome heteronormativity.” Shifting focus from gender and sexuality being the main concern in a narrative to acknowledging the complexity of queer experiences replaces “the idea na heterosexual relationships and heteronormative expressions of gender are the norm.” She adds:

“Parang natatanggal yung way of thinking na being queer is being an outsider.”

A paradox lies within this nuance. While the LGBTQIA+ community is inherently “different” by virtue of their identity, their experiences are often set apart from those experienced by cisgender heterosexuals, as if they are incapable of feeling or acting or behaving the way the latter do just because they don’t fit into the perceived standards of what is “normal.”

“Despite queerness defying standards at its core, normalizing queer media offers comfort to the audience,” Clara comments. Pushing for the normalcy of queerness, while still acknowledging the community’s unique struggle, could lead to valuable conversations.

@fundforwomensequality The lack of representation of LGBTQ people in media is still a real issue. By seeing LGBTQ people represented in films, TV shows, and other forms of media, it not only gives encouragement to those struggling to come out but also helps fight outdated stereotypes. #lgbtq #mediarepresentation #lgbtqrights #inclusion #equality #lgbtqvisibility #queerpride ♬ original sound

Because yes, highlighting queer struggle illuminates how difficult it is to exist as a queer person, and could thus spark much-needed change. But stories that don’t focus on the struggles of being queer are important too, as they help queer individuals and audiences nuance their understanding of what it means to be queer, and reassures members of the community that it’s possible to live openly and freely. Jay explains,

“[Stories] of joy and love and success, of pain and confusion, of failures and heartbreaks, aren’t exclusive to straight people.”

LEAPS FORWARD

Artists and filmmakers like Samantha Lee have championed normalizing queer experience, particularly with her first miniseries Sleep With Me (2022), where the love story between two women is not complicated by their sexualities, but rather other issues and problems. Queerness was a norm itself. The intersectionality of queerness and disability are present, putting forth the value of acknowledging and highlighting such struggle, but queerness is not presented as a problem.

Stories like these set a precedent for young storytellers, producers, and audiences to patronize diverse queer representation in Filipino media.

“In a way,” Rylle muses. “[Filipinos] haven’t really basked in their own unique queerness yet. And it’s still a struggle for some to come to terms with who they are, because they don’t have anything to ‘put’ themselves in yet, especially since most of what they understand of the Filipino environment is prejudice.”

Wouldn’t we love to change that? To foster a change in how the LGBTQIA+ community is perceived? To present more possibilities to people still figuring out who they are? As artist Kimiko notes,

“Normalized queer representation in Filipino media matters because it recognizes that queer people are just people—imperfect and beautiful humans. Queer people have hopes, dreams, and fears [just] like cishet people. We all laugh and we all cry.”

So if you’re an aspiring filmmaker or storyteller, don’t feel as if you have to ascribe to certain formulas or stick to the usual narratives. Diverse stories matter. Your stories matter. The struggle for queer liberation is a blazing fire, and could be further stoked by a simple, bold statement: we are here.

Continue Reading: What the Success of Rookie Means for Samantha Lee and Pat Tingjuy

6 Original Youth-Oriented Miniseries To Binge-Watch On iWantTFC ASAP

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Coming-of-age shenanigans, classic teen drama, and a world of fun.

New shows, new talent, and new stories are all available right at your fingertips!

Related: 11 Filipino Shows You Should Binge Next On Netflix

These days, you will never run out of things to watch, especially with how many streaming services you can subscribe to. But if you’re interested in branching out from your sites, you may want to turn to iWantTFC, the platform filled with local gems where you can stream local productions for free if you’re in the Philippines!

Whether you’re into drama, musicals, or coming-of-age, original Filipino programming will deliver. And if you’re into having fun (and engaging in a little drama surrounding the new generation), these following six miniseries will deliver comedy, romance, drama, and friendship in 10 episodes or less.

RUN TO ME

This rom-com sees KD Estrada and Alexa Ilacad in their first series pairing as Wilson and Jewel, respectively. Wilson, a struggling musician, tries to rescue successful online creator Jewel from a kidnapping. Unfortunately, she ends up whacking him for ruining her planned kidnapping. After meeting in one of the most unlikely and ridiculous of circumstances, they accompany each other as they navigate their dreams, family lives, and blossoming romance.

LYRIC & BEAT

This tribute to Jonathan Manalo’s music is a teen rom-com set in the fictional Philippine National Conservatory of Music, where the halls are brimming with talent and the classrooms are shark tanks filled with ambitious young artists dealing with their own personal teenage problems. Lyric (Andrea Brillantes) gets the chance to attend the prestigious school, in spite of her father’s doubt and disapproval at her chosen aspirations. She meets Beat (Seth Fedelin), an introverted singer, and a whole slew of students that excel at singing, dancing, and show choir. Think Glee meets Backstage, this miniseries is fun, musical, and also brimming with talent.

DRAG YOU & ME

Andrea Brillantes also stars in this dramedy as Betty, a young cisgender woman who enters a drag competition to earn enough money to save her family home and drag bar. Fearless, fun, and fabulous, this series delves into the world of drag and the life of a young girl trying to do right by her family. With the participation of queer actors as well as actual drag queens Precious Paula Nicole, Xilhouette, Brigiding, and Viñas Deluxe, this celebration of queerness and drag makes for an entertaining watch.

TEEN CLASH

Based on a Wattpad story by Ilyn Anne Danganan, Teen Clash explores the life of Zoe (Jayda), an aspiring musician with an embarrassing past, as she attempts to start a band to perform at the school’s music jam. She meets songwriter Ice (Aljon Mendoza) and they try to overcome struggles brought upon by their musical endeavors, teen drama, and their possible feelings for one another.

BEACH BROS

Put a group of boys on a beach and watch the magic happen. No, really. Dave (Kyle Echarri), Billy (Lance Carr), Jason (Brent Manalo), Pete (Raven Rigor), and Jeremy (Sean Tristan) live their best life on the shores of Baler, Aurora, until they face the challenges of growing up and problems brought by a mysterious girl (Chie Filomeno) with secret ties and a danger-filled secret mission.

TARA, G!

Friendship and teamwork take center stage in this miniseries starring an ensemble cast of Anthony Jennings as Rocky, Kaori Oinuma as Legs, Vivoree as JengJeng, JC Alcantara as Dan, CJ Salonga as Smith, and Zach Castañeda as Will. Together, along with newcomer Cars (Daniela Stranner), a spoiled tourist trying to rehabilitate her image, they make up Team WISE (Walang Iwanan Sa Ere). Led by coffee farmer Rocky, the group works together to fight for the struggling coffee business and their town. After Cars almost ruins everything they’ve worked for, Team WISE has to depend on each other and overcome their drama to fight for that they believe in.

Continue Reading: Make Room in Your Watchlist for These New Movies and Shows of August 2023

For the Girls: 16 Sapphic/WLW/Lesbian Media You Should Check Out

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Perfect for a night in.

Expand your horizons and expose yourself to the diverse stories of women loving women in different forms of media.

Related: Love Wins (and Hurts) in These Award-Winning Filipino Queer Films

In the world’s ever-growing repertoire of queer media, stories about sapphics/women-loving-women still take up much less space than their male-dominated counterparts. There’s much discussion to be had about “proper” queer representation in media in general, but for now it’s good to diversify our own libraries, per se, by checking out these movies, series, and books all available to watch, stream, and read—and all about the sapphics.

MOVIES

The Half of It (2020)

This movie is a consistent placer on lists of great WLW media. And for good reason! The Half of It is a retelling of the 1897 play Cyrano de Bergerac, in that it features our protagonist Ellie (Leah Lewis) pretending to be someone else while communicating with someone they like. The Half of It is a subversive and refreshing take on sapphic media, touching on issues of freedom and friendship as it puts young, sweet relationships in the limelight.

Baka Bukas (2016)

Fresh from the successful theatrical run of her new film Rookie, Samantha Lee has proven to deliver quality queer content. As Lee’s first project as director, Baka Bukas achieved success and set the foundations for her career of crafting beloved sapphic stories. In the film, Alex (Jasmine Curtis-Smith) helplessly falls for her best friend Jess (Louise delos Reyes) and they must navigate a world of changes to their relationship. Baka Bukas will be available to stream on Netflix starting August 25.

Shiva Baby (2020)

Danielle (Rachel Sennott) is a hot queer mess. What else would you be when you attend a shiva (a week-long period of mourning practiced in Judaism) with your entire family, your ex-girlfriend, and your sugar daddy and his wife and child? Shiva Baby is praised for being hilarious and awkward, with Danielle being “cringe-worthy in the best way,” and is a movie to be watched through horrified looks and snorts of laughter.

Billie and Emma (2018)

https://www.youtube.com/watch?v=b3V3hA3kmk0&ab_channel=PelikulaMania

Set in the 90s, Billie and Emma lays out the conflicts of being gay and being a young woman in a small town. Billie (played by openly queer Zar Donato) is sent to a strict all-girls Catholic school where she meets smart, popular Emma (Gabby Padilla), and faces a slew of resistance to their relationship—one of which is Emma’s sudden pregnancy. Samantha Lee’s second film is genuine, fun, and is unafraid to be honest in representing tough issues. It champions queer love both in the story and its production.

Crush (2022)

This high school rom-com is light fun with a sweet ending. Crush was accompanied by a calling-out controversy involving star Auliʻi Cravalho, targeted at co-star Rowan Blanchard. Regardless, the two exuded adorable chemistry and sincerity in the coming-of-age film about artist Paige (Blanchard) navigating her long-harbored feelings for crush Gabriella (Isabella Ferreira) and newfound feelings for Gabriella’s sister AJ (Cravalho).

Rookie (2023)

The way Samantha Lee consistently delivers lovely, genuine sapphic stories is awe-inspiring. Her most recent work is a love story set in the world of high school volleyball. Rookie stars Pat Tingjuy as Ace, a reluctant basketball player-turned-volleyball player, and Aya Fernandez as Jana, the driven captain of the volleyball team. Rookie won three awards at the Cinemalaya 2023 awarding ceremony: Best Editing, Audience Choice, and Best Actress for Tingjuy.

SERIES

Warrior Nun (2020)

If you were on X (formerly Twitter) last year, you’d have seen the outrage that poured in at Netflix’s cancellation of fantasy series Warrior Nun. Thankfully, just last August 16, it was announced that the story will continue as a trilogy, much to the delight of its dedicated fanbase. The story of demon fighters, “warrior nuns,” Ava (Alba Baptista) and Beatrice (Kristina Tonteri-Young) hopefully gets to continue in all its glory.

Sleep with Me (2022)

Samantha Lee’s first streaming series is a warm, intimate look at a budding romance between Harry (Janine Gutierrez), a late-night radio DJ and wheelchair-user, and Luna (Lovi Poe), a textbook writer with a disorder that only lets her sleep during the day. Sleep with Me is a comforting rom-com with adorable performances, discussion on intersectionality, and a clear focus on love between two women.

BetCin (2021)

This miniseries looks into the world of online dating coupled with the pressures of being an online couple. This close to breaking up, Beth (Kylie Padilla) and Cindy (Andrea Torres), receive news that they were selected to join a #RelationshipGoals contest where they have to prove to everyone that they’re the perfect couple so they could win a whopping 10 million pesos. Now the question is: how far can they go before something snaps?

Pearl Next Door

Webseries Pearl Next Door is another local offering that stars beloved BL Gameboys character Pearl (Adrianna So) and chronicles her journey to find love. Whether that’s with Karleen (Iana Bernardez), her best friend, or Alex (Rachel Coates), her former childhood best friend, you’ll have to watch to find out. Presented in a screenlife format with characters talking through screens, Pearl Next Door captures a modern, easy charm largely due to the distinct personalities of its characters.

Dickinson (2019-2021)

Hailee Steinfeld plays prolific poet Emily Dickinson in this comedy-drama series about her life, romance with her best friend and future sister-in-law Susan Gilbert (Ella Hunt), and the limitations and pressures placed on a woman artist at the time. In a deliberate decision, Dickinson uses modern language and anachronism to deliver a fun, steamy, relatable story about love, womanhood, and freedom.

BOOKS

One Last Stop (2021)

One Last Stop (2021)
Cover from Goodreads

Casey McQuiston’s debut novel Red, White, and Royal Blue found peak success both as a novel and now as a hit Amazon Prime movie adaptation. Their second novel One Last Stop is another prime example of WLW literature done well, with eccentric but authentic characters, a very subtle magical/sci-fi premise, and soaring, electric writing. August Landry meets punk, leather-clad rebel Jane Su on a train and falls in love. Only one problem: Jane is lost in time. She’s from the 1970s, she’s stuck on the train, and August will do anything to help her.

Hani and Ishu’s Guide to Fake Dating (2021)

Hani and Ishu's Guide to Fake Dating (2021)
Cover from Goodreads

Everybody loves a good fake dating trope. Popular, bisexual student Hani comes out to her friends, but they’re invalidating and disbelieving! She lies that she’s actually in a relationship with a girl—Ishu. Ishu is smart and driven, and she agrees to fake date Hani if it means it gets her elected head girl. The YA novel is a breath of fresh air as it puts Bengali girls in the spotlight and uniquely intersperses their stories with a tried-and-true trope.

She Gets the Girl (2022)

She Gets the Girl (2022)
Cover from Goodreads

Alex is brave, flirtatious, and fresh from a breakup she hopes isn’t for good. Molly is awkward and incapable of talking to her crush. They hatch a plan to work together to get their respective interests to love them, but can you take a guess as to who falls in love instead? Slow burn with a lot of banter, She Gets the Girl is a lighthearted classic YA read written by real-life wives.

Juliet Takes a Breath (2016)

Juliet Takes a Breath (2016)
Cover from Goodreads

Juliet is a lesbian Latina interning in Portland, Oregon for her favorite white feminist author Harlow Brisbane. She spends her summer figuring out everything about not just being gay, but being a gay, female, person of color in this vast, crazy world. Juliet Takes a Breath is a funny, moving, intersectional exploration of identity and the complexity of people.

The Falling in Love Montage (2020)

The Falling in Love Montage (2020)
Cover from Goodreads

A light, fun read, The Falling in Love Montage sees cynical Saoirse embark on a summer fling with the vivacious Ruby. They agree to go on cheesy, romantic dates that’ll end the moment summer does—but of course, when has that ever worked out? This book offers a cute premise, a love built between two very different girls, family, and strong personalities.

It is stellar to see so much diversity in contemporary media, and we hope it only gets better from here. Love female and sapphic love by breathing in these stories and letting them lead us towards a more open world.

Continue Reading: The Inside Story of How The Lovers, An Animated WLW Short Set In the Philippines, Came To Be