How This Gen Z Artist Captures What It Means To Be Filipino Through Painting

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Sining para sa bayan.

Through her paintings of everyday life, culture, and resistance, 21-year-old artist and student Raya illustrates her own understanding of what it means to be Filipino.

Related: Meet This Filipino Queer Artist That Creates Ethereal and Otherworldly Paintings

There’s much debate going on about what Filipino identity truly is. It’s been long discussed, whether in social media or the academe: what does it mean to be Filipino? Our history and culture are amalgamations of influences brought about by trade, travel, colonization, and globalization. Whether in cuisine or art, unearthing what it means to be Filipino is a daunting task that, perhaps, has no reward satisfying enough for everyone.

But for one Filipino Gen Z artist, to be Filipino means a shared experience of the everyday, a culture of diversity, and resistance. It’s about “recognizing the culture, arts, cuisine, homeland, and countrymen as integral parts of [our] identity” and fighting for our nation and its people no matter what.

Twenty-one-year old Raya is a freelance artist and fourth-year student at the University of the Philippines Baguio, taking up a Bachelor of Fine Arts degree. Her work amasses thousands of likes on social media platforms X and Instagram because of her distinct style and subject matter. An artist working with both traditional and digital tools, Raya paints with warmth, memory, beauty, and a love for her country and its people.

CAPTURING THE BEAUTY OF MUNDANITY

Dapit hapon, raya

Dapit Hapon / Raya (biyaheniraya)

Raya’s art often features themes of youth, girlhood and womanhood, and Filipino life, culture, and identity. Most of her works exude an air of days-gone-by, evoking a sense of deep-rooted familiarity. For instance, her digital painting Dapit Hapon depicting Filipino children playing Chinese garter on the street is a warm, beautifully-lit piece encapsulating the simple joys of a Filipino childhood. Similarly, Tampisaw shows children relishing the rain, umbrella forgotten. You know they’re aware of the scolding they’re bound to get from their parents for playing in the rain, but they don’t mind.

Tampisaw, raya

Tampisaw / Raya (biyaheniraya)

The feelings evoked by Raya’s art is her attempt at capturing the distinct experience of mundane Filipino life. Referencing how sad it makes her to hear how many Filipinos want to leave their country for better opportunities, but knowing that it’s not their fault, Raya shares, “That’s why I make art about Filipinos, so that I can remind people in subtle ways that there’s a lot more to be proud of as a Filipino, even the mundane life.”

More of Raya’s work include women dressed in modern or traditional Filipino clothing, city staples like the tindahan or landmarks like Session Road, and artwork inspired by Filipino films like Liway (2018) or Goyo (2018). Womanhood is also often the subject of her work, an important aspect of her art and advocacy. In relation, the student-artist is also working on the beginnings of her thesis, which she hopes will delve into the role of women, particularly homemakers, in Philippine society.

Remedios by raya

Remedios / Raya (biyaheniraya)

Raya Filipina sketches

Sketches / Raya (biyaheniraya)

Indios Tagalos - Raya

Indios Tagalos Redraw / Raya (biyaheniraya)

Whether through traditional or digital methods, Raya’s artistry shines through. She was initially inspired by Disney and Studio Ghibli art styles, as well as artists like Sibylline, Aeonix, and Hong Seung Wook. “But as much as possible,” she says, “I want to exude the aura of local style.”

IN ART LIES RESISTANCE

Aside from Filipino life and culture, a distinct theme that’s woven through Raya’s artworks is one of resistance.

“Whether we like it or not, our political views are a part of what makes us Filipino,” she says. Plenty of her paintings reference Filipino struggle and the systemic issues that plague the nation and its people. An untitled piece, for example, depicts a young girl painting a mural similar to Botong Francisco’s Filipino Struggles Through History, a visual representation of how art serves as immortalization of memory and a reminder to resist oppression and fight for freedom. It’s a work of art that celebrates the unyielding Filipino spirit, shared across history and generations, even in the face of adversity.

Raya's untitled mural artwork of an artist

Raya (biyaheniraya)

 

Raya elaborates that “It is our duty as Filipinos to consider the implications of our decisions and what would be best for our nation. As it is our right to voice our concerns in various types of media, it is best to use art as a powerful instrument to inform and communicate.”

Raya uses her art to amplify calls for change and stand in solidarity with her fellow Filipinos. Last year, she opened art commissions to assist the victims of Typhoon Paeng, and created artworks supporting Leni Robredo for president during the elections. She’s able to craft clear, impactful messages through her art, criticizing injustice as she does.

Sa Ritmo Ng Buhay Estudyante-Manggagawa / Raya (biyaheniraya)

But in struggle comes optimism, and a spark of hope is also set alight by Raya’s work as she highlights important themes and opens discussion on intersectional issues. She aspires to be a children’s book illustrator, telling stories involving issues of “mental health, the environment, and history” to a young audience—an effort to change things for new generations who can learn a thing or two from history. Her favorite project is one done with author Lacy Bussey, a yet-to-be-released children’s book about keeping one’s dreams alive.

Her love for the Philippines and its people is clear as day in every painting, and her ultimate ambition is to be “an independent artist who promotes Filipino culture and traditions.”

WHAT IT TAKES TO BE AN ARTIST

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Hindi Pasisiil / Raya (biyaheniraya)

Of course, like with any artist or creative, it wasn’t easy for Raya to pursue her ambitions of being an artist. Often, the art and creative industry faces plenty of judgment for not being lucrative. Raya doesn’t believe that’s true.

“There are a lot of career opportunities related to arts because a business cannot function without it. People who don’t understand how difficult it is to create art are the ones that make us feel inferior.”

However, even though the young artist always loved art and was passionate about creating things, there were times where she no longer found the process enjoyable.

“I’ve been putting so much pressure on myself to succeed, comparing myself to others, and depending my value primarily in terms of the things I produce,” she shares. She had to learn how to see her work “with the innocent perspective of a child” and to “focus more on the process than the final product.”

Tindahan Ni Raya

Tindahan Ni Raya / Raya (biyaheniraya)

In finally finding her style, what she’s fighting for, and what art truly means to her, Raya creates with and exemplifies what it means to be artista ng bayan.

“I came to understand that creating art isn’t just about beauty; it’s also a way to express oneself and create memories.”

Continue Reading: This Filipino College Student Drew Regular Street Vendors as Superheroes

These Filipino Youth Activists Used A Fashion Show To Highlight Climate and Social Justice

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Fast, fair, forever.

Young environmentalists and activists brought art and politics to the runway as they held a fashion show highlighting calls for climate justice, social justice, and the end of fossil fuels. Read all about Fashion Against Fascism and Fossil Fuels 2023 below!

Related: 3 Local Sustainable Fashion Brands Founded by Young Women

When we think of fashion shows, we often think of cosmopolitan elegance, glittering sophistication, and high-speed, high-intensity glamour. We think of extravaganzas, publicity stunts à la America’s Next Top Model challenges, Victoria’s Secret Angel wings, or questionable avant garde fashions. Fashion shows are often criticized for catering to the privileged, negatively affecting body image, or being wasteful and pointless.

And while critical discourse on the current state of fashion is much needed, what is woven through the very essence of fashion is the human desire to communicate through art. Given its deep roots in human and social experience, art and fashion are inherently political. As such, in fashion there is space for creativity, artistry, and expression. It is an avenue by which humanity can speak out, influence, criticize, and amplify calls for justice.

Fashion Against Fascism and Fossil Fuels is an annual fashion show hosted by the Youth Advocates For Climate Action Philippines (YACAP), a nationwide alliance of youth organizations and individuals fighting for climate justice. This year’s show was held on September 15 and had the theme Empire of the Son: Drought & Deluge, an effort to highlight the calls of those impacted the most by systemic issues and shed light on how the current system has failed to address environmental and human rights concerns in the Philippines.

DROUGHT & DELUGE

Reclamation at fashion against fascism and fossil fuels

Photo courtesy of Angela Kyla/AGHAM National

The fashion show was divided into two sections: Part 1 – Drought, and Part 2 – Deluge. Drought focused on the environmental issues that plague the nation, featuring themes surrounding reclamation, El Nino, and environmental plunder.

Deluge focused on socio-political injustices experienced by Filipinos, such as disinformation, the mental health epidemic, and impunity.

The show featured pieces from Filipino brands Himaya, For Elimari, Pinsel, Regina Villanueva, Season Pass, Worn Expressions; partner designers Alaga, bice crafts, Joanna Rizza David, Santi Obcena, Cha Reyes, and XCA; and shirt designs by artists Bry Barrios, Kill Joy, Rusty Flores, Tokwa Peñaflorida, and The Sinner Collective. Instead of focusing on singular designs and designers like regular fashion shows, FAFFF put pieces together to represent each theme.

Alaga designs at FAFFF 2023

Photo courtesy of Angela Kyla/AGHAM National

For instance, outerwear pieces in the finale—jackets with the backs cut out to make elaborate “windows”—represented shields as they are worn over shirts featuring environmental and human rights defenders. The outfits showcased designs by Joanna Rizza David, Season Pass, and Worn Expressions.

Denim at fashion against fascism and fossil fuels

All pieces were ready-to-wear designs by Filipino designers from different sectors, and styles varied, ranging from casual-wear to more extravagant Filipiniana-inspired ternos. Each outfit conveyed strong messages of resistance, unwavering pride in identity, and rootedness in environment and humanity.

ACTIVISM AND ADVOCACY IN ART

Sarah Elago modeling at fashion against fascism and fossil fuels

Photo courtesy of 350 Pilipinas

Fashion has long been a medium not just for creative expression, but also political expression. From using fabric and weaving techniques by indigenous peoples facing threats of violence and displacement, to having people from marginalized sectors model the clothing, FAFF 2023 brought together art and fashion in a show of solidarity and resistance.

Models walked barefoot, slow and solemn, every aspect of their presentation from makeup to demeanor indicating the gravity of why this fashion show was happening. The final walk saw all the models come out with signs and placards calling for action to address environmental and human rights issues and calling attention to their inherent interconnectedness.

Photo courtesy of Angela Kyla/AGHAM National

Sustainability, for instance, is not just an environmental issue. Sustainability involves not just an ethical and environmentally-conscious acquisition of material, but also an ethical process of creation and consumption. FAFFF and YACAP endeavored to foster a collective understanding of such interconnectedness, and build solidarity founded on a desire for change.

THE KIDS ARE ALRIGHT

Photo courtesy of 350 Pilipinas

There’s no doubt that the youth is passionate and steadfast in their participation to combat environmental and social injustice.

Upon entering Studio 72, I heard an usher remark to another, “Mukhang mapupuno, noh?” It hit me at that moment how many people gathered to watch the show—whether they were merely fashion enthusiasts or activists or both.

The line to enter was long, winding around twice in the parking lot, and the seats were full. Students, designers, artists, and advocates of all ages were decked out in the encouraged black attire, marveling at the clothing, internalizing the messages, and reflecting on what the entire night truly meant.

YACAP itself is a youth-led organization, the Philippine chapter of Fridays For Future. A global movement sparked by young environmental activist Greta Thunberg, Fridays For Future helms the Global Climate Strike, in which students joining the movement across the globe skip Friday classes to strike and protest for swift action against the worsening climate crisis.

Fashion Against Fascism and Fossil Fuels is part of the Global Climate Strike, which, according to YACAP, “registers [a] call for immediate climate action.” The call to end fossil fuels is a priority of the movement, as fossil fuels cause environmental damage and the industry is said to hinder actions to address the climate crisis.

As the youth and marginalized sectors are growing more aware—and more discontent—at the lack of action to address the climate crisis, they emphasize the need to “come together and put pressure on national and international bodies to address the crisis by putting an end to fossil fuels, and spearheading a transition to a more just, more sustainable future.”

In using art, performance, and fashion as a medium, Fashion Against Fascism and Fossil Fuels illuminated the intersectionality of environmental, social, and political issues and amplified the call to put an end to fossil fuels and injustice fast, fair, and forever.

Continue Reading: For a Better Future: Filipina Climate Advocate Ann Dumaliang Champions Conservationist Cause at COP27